Readers, we all have a bit over a month and a half until the Nebula Awards are announced–so if you, like me, want to devour all the nominated novels before the big announcement is made, get reading. I’ve nearly made it through the list, myself.
SPOILER: If I were a judge, I’d be completely stymied. The list is THAT GOOD.
So. . .HERE is the first post of a series reviewing all seven of the 2026 Nebula Awards short-listed works in the Best Novel category. (To see the complete list, go HERE.) I’m on a mission to read and review every entry in the novel category before the Science Fiction And Fantasy Writers Association (SFWA) announces the winner at the Nebula awards ceremony on June 6, 2026. It will take place at the SFWA 61st annual conference, held this year in Chicago. I’m reading the novels alphabetically by author, and then, if I have time, I’ll read a few others nominated in other categories.
In the several years I’ve been reading and writing and posting these reviews, I’ve always read through the Nebula and Hugo nominees. Then I’ve chosen two other major lists to read, too. This is my way of finding new and wonderful books to read, all year long. I’ve already read and reviewed the short-listed books for this year’s Philip K. Dick Award, which has just been announced. Go HERE for the winner–and see my reviews of the other nominees for that award in my earlier blog posts (you can start HERE and work backwards).
After the Nebula-nominated novels, I’ll go on to the Hugo Awards nominees–that list is soon to be announced–and then the nominees for the World Fantasy Awards.
The short-listed novels for the 2026 Nebula Awards:
When We Were Real, by Daryl Gregory (Saga)–reviewed in this post
The Buffalo Hunter Hunter, by Stephen Graham Jones (Saga; Titan UK)
Katabasis, by R.F. Kuang (Harper Voyager US; Harper Voyager UK)
Death of the Author, by Nnedi Okorafor (Morrow; Gollancz)
The Incandescent, by Emily Tesh (Tor; Orbit UK)
Sour Cherry, by Natalia Theodoridou (Tin House; Wildfire)
Wearing the Lion, by John Wiswell (DAW; Arcadia)
When We Were Real, by Daryl Gregory (Saga)

I began this book thinking of it as an amiable shaggy-dog story set in a future America where humans have realized they are living in a simulation. This is an increasingly common trope for speculative fiction, but I could tell right away that Gregory’s meandering tale, taking an eccentric near-future cast of characters on a Canterbury Tales-style road trip, would be more fun than average.
As I read on, I began to realize how wrong I was. I mean, it IS amiable and engaging and fun. But it is so much more. Not only does it use that Forced Proximity trope of very different character types trapped together (on a journey to a holy shrine/in a stagecoach/in a hotel/in a haunted hotel/on a ship at sea/on an imperiled ship at sea/in a mental institution’s day room, etc.) but it’s a buddy comedy, too.
And more! It’s a comic book transposed onto a novel. It’s a woman in peril on the lam (but–I hasten to reassure you–a badass woman). It’s a sly critique of our social-media-obsessed culture. It’s an extended joke. Three Irish brothers walk into a bar. . . Two nuns and a rabbi walk into a bar. . . It’s a novel of family, and of found family. All of that.
So, great. I’m in. Take me on this journey. And the journey rapidly becomes a wild chase to save humanity. . .or something. Maybe.
You have to stay with this book. Not only is it very meta, always observing its own processes, but it contains the wildest collection of witty observations and profound insights you’ve ever encountered. It’s got Chaucer. It’s got the Epic of Gilgamesh. It’s got Sylvia Plath. It’s got Kim Stanley Robinson. It’s got Black Bolt. It’s got a persistent, crazy Impossible Sheep. I was really thinking it might have a touch of William Carlos Williams, but I’ve decided I’m imagining that.
By the end, in the final stage of its journey, When We Were Real is very moving.
Actually, by the end–Canterbury Tales, okay, but I was starting to think more Pilgrim’s Progress.



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